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The Black Notebooks: An Interior JourneyBy Toi Derricotte
Ebook Free The Black Notebooks: An Interior JourneyBy Toi Derricotte
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"The Black Notebooks is the most profound document I have read on racism in America today. . . . [It] is not just one of the best books on race I have ever read but just simply one of the best books I have ever read."―Sapphire
The Black Notebooks is one of the most extraordinary and courageous accounts of race in this country, seen through the eyes of a light-skinned black woman and a respected American poet. It challenges all our preconceived notions of what it means to be black or white, and what it means to be human.- Sales Rank: #207270 in Books
- Color: Multicolor
- Published on: 1999-06-17
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.00" l, .46 pounds
- Binding: Paperback
- 208 pages
Amazon.com Review
Realizing that her light skin and "good hair" conspired to give her a unique, unasked-for perspective on the racial divide in the United States, African American poet Toi Derricotte inscribed her anguish in two decades' worth of journal entries. The Black Notebooks records countless moments when Derricotte was showered with offhand entitlements and racist confidences by whites who assumed she, too, was white. She speaks ambivalently of milking such moments, deliberately making end runs around her dark-skinned husband, Bruce, while looking for a home in an all-white suburb or hoping for a decent hotel room. Derricotte talks bluntly, too, of a self-loathing that accompanies being black in America and of not being "black enough." Her honest, angry, painful truth-telling veers into self-absorption and repetition, but perhaps that's fitting: racism hammers away at people in tiny and huge events repeated day after day. Says Derricotte, "My skin causes certain problems continuously, problems that open the issue of racism over and over like a wound."
From Library Journal
A black woman whose light skin has allowed her to pass for white, poet/ professor Derricotte speaks of her tormented struggles with her racial identity.
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
Poet Derricotte offers this portrait of a black woman's frustrating experience with racial prejudice from both outside and within her own people, and her own ambivalence about the color of her skin. This volume is largely comprised of the journals that Derricotte kept when she lived for the first time in a mostly white community. The author, who is light-skinned enough to ``pass'' when she wants, recounts keeping her dark-skinned husband away from real-estate brokers so that she could be shown better homes in nicer neighborhoods. This process secured her a house in an affluent suburb of New York but led to so much self-loathing and examination of her own feelings about the darker-skinned members of her race that she suffered a deep depression and ultimately separated from her husband. She wrote The Black Notebooks, she notes in her introductory essay, not out of ``desire'' but to ``save [her] life.'' At her best, Derricotte is reminiscent of Nella Larsen, for whom ``passing'' was a primary topic, and Doris Lessing in The Golden Notebooks, which is also about avoiding breakdown through writing. Some pieces in the collection are less cohesive than others and are subsequently less impressive from an artistic standpoint than pieces with a strong overarching theme. Typical of the latter group are ``The Club,'' which concerns Derricotte's and her husband's sojourn in the white suburbs and the country club that they were never invited to join, and ``Diaries at an Artists' Colony,'' with its collection of reactions from fellow colonists to her revelation of her racial background. ``Blacks in the U.'' and ``Face to Face,'' on the other hand, are more disjointed, but their point is not lost: It's not easy to be a black person in either a racially divided country or a color-conscious black community. A very strong first prose offering on an always provocative subject. (Author tour) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
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